You probably know the website, but what you may not know is that it is continuously improving: Sylvain Halgand’s collection-appareils.fr is fed about twice a year by volunteers who add their own cameras to those already listed. By the end of february 2017, there will be 11466 cameras registered and thoroughly documented. This year’s first shot of new content added more that 100 new cameras to the list!
I don’t know whether I’ll be able to go myself, but the association linked to the site Collection-Appareils organises an annual event in Glisy, near Amiens in France, where you’ll find a great second-hand market of cameras and photographs. Located in the north of France, its less than a two-hour ride from Calais once you’ve crossed the Channel. This year event will take place on March 4th, 2017.
That was Santa’s surprise present this Christmas: a really nice Nikon SLR, the F-501 AF.
It is a thirty-year-old camera (1986, just like me) mixing vintage looks and a nostalgia bonus (just like me) in a body that is quite heavy (just like… nevermind) but is also offering a firm and steady grip.
More importantly: the F-501 AF is the first customer grade Nikon SLR to offer a modern TTL (Through The Lens) autofocus system. It was sold in the US under the N2020 AF denomination. Former systems in the same grade of cameras used specific lenses containing the focus motor. High prices led makers, first of them Minolta one year before the F-501, to build their motors inside the body of their SLR.
Twist of fate, modern DSLR would switch back to motorized lenses once prices go down, for efficiency and low volume requirements.
Good to know: the batteries required to run this camera are 4 simple AAA cells, located on a support in the shoe. Easy to find, including rechargeable models (planet Earth will thank you).
Nikon F-501 (face view 1)
Nikon F-501 (face view 1)
Nikon F-501 (rear view 1)
The first customer grade SLR by Nikon.
Another then-new feature, the F-501 has automatic film advance, thus the absence of winding lever. This also eases film loading, and sensibility is automatically set thanks to DX code reading on the roll. As always in photography, improvements come one at a time, and the advance motor does not provide rewind capability.
Along with the camera debuted the AF Nikkor lenses, still sold today! I’ve been spoiled with two of the standard lenses, the 50mm f/1.8 lens and the 35-70mm f/3.3-4.5 zoom. The latter seems to receive mixed reviews and I do not have tested it yet. I grabbed the 50mm first, and that was the best choice: it’s a renowned lens, bright and precise, producing a really nice bokeh.
Nikkor AF 50mm f/1.8 : it’s a renowned lens, bright and precise, producing a really nice bokeh.
It was really easy to get my hands on and use this camera. I grabbed it naturally on a couple of occasions for a test roll, without ever thinking about the light conditions or anything. On sunny days as well as evening light, it’s been really confortable to use. The firm grip and steady shutter even allowed some twilight shots without much motion blur.
F-501 controls. A tiny speaker has fun firing high pitched beeps on various situations. Hopefully it can be turned off.
Film rewind is manual, but film sensibility is automatically set. The F-501 offers exposure compensation.
AE-L and AF-L functions are misplaced and hardly distinguishable.
Autofocus can be switched off. Active, it can be either one-time or continuous.
The AF Nikkor 50mm f/1.8 is marvellous.
Automatic exposure modes are CPU controlled with preference for high or low speeds. The aperture priority mode will be your best friend. Manual exposure will allow to shoot using compatible lens. Only speed priority mode may be missed by its admirers. Some ergonomic oddities can be forgiven: the power-on switch has a tendency to remain in-between two modes, the AF-L and AE-L buttons are unreachable.
The viewfinder is bright. On its right, the selected speed is displayed, along with an exposure guide when necessary. However, it is missing a reminder of the corresponding aperture, like on the Canon A-1 SLR. This is something you can be accustomed to. Below the image, there is a focusing guide, displaying the direction you should manoeuvre your lens barrel: useful when in manual focus!
In low light situations, the autofocus system performance is disappointing.
Because in low light situations, the autofocus performances is disappointing, and you can then sense the giant steps the makers have made to get to modern autofocus systems. When the autofocus system does not manage to focus properly, the focus guide is not of a big help, and the standard focusing screen does not offer any clue useful to manual focus. An optional focusing screen, Type J, is the only hope of getting support from microprisms.
Everything in balance, the F-501 is a very good SLR camera for making good use of the excellent compatible lenses.
Here is a galery of some shots from the test roll: Ilford HP5 Plus at 400 ASA. Every picture has been shot using the AF Nikkor 50mm f/1.8 lens.
Low light situations are easily handled, only if you manage correct focus.
Do not hesitate to ask in the comments if you have questions about the Nikon F-501 AF, and please share your pictures shot using this camera with me on Instagram. Have fun !
Back in July, I made the near perfect discovery of a Polaroid 230. Brand new, in its box, with its original invoice dated from 1969 in djiboutian francs.
If you do not know this line of bellowed cameras (Polaroid 100, 200, 300…), think of them as massive devices shooting instant pictures the size of small postcards. Here is the beast, below, compared to a Canon SLR.
The challenge with this type of cameras consists in replacing a battery type that does not exist anymore in retail. The Eveready 531 or 532 was a quite large cylinder with snap connectors at both end. You can still find high priced substitutes, min. 10€, named A19PX.
Numerous times, I encountered tutorials on the web that demonstrated how to replace the 3 or 4.5V battery with respectively 2 or 3 AAA batteries. The idea is appealing, batteries found everywhere. But these specific mods require you to irreversibly destroy parts of your camera using cutting pliers and other instruments of torture.
Please be aware the following pictures show explicit content:
Let’s rip the cables!
Let’s chop the plastic!
Let’s tear it down to the bones!
I’m now making a call: STOP! Do not butcher your cameras any more! Here is one solution, among others I’m sure, that will allow you to finally shoot packfilm for little money.
The required arsenal
Here starts the long list of the tools and items the substitution will require.
You’ll have to find a substitute for a 3 or 4.5V battery. This requires 2 or 3 1.5V batteries. Among the smallest available, there are LR44 button cells.
Alcalines have major drawbacks when it comes to photography, we’ll probably address the issue in future posts. What is required here is an important capacity, much more than what standard LR44 can deliver. That’s what draws people to use AAA batteries instead.
The solution stands in zinc-air LR44 equivalents: PR44 coin cells. They can provide up to 6 times their sisters’ capacity. Voltage is a bit lower, 1.35V. It is not significant in our case.
The price? Hold on tight. In most cases, less than 1€ per unit. Even less if you catch a bundle, I paid 26 cents per unit for a 60 pack.
The smartest of you will have already looked up the original Eveready battery with Google and they will have noticed that the snap connectors look the same as those from a 9-Volt battery. They are the same.
You’ll find these snap connectors for 25 cents max (e.g. at Selectronic). Pay attention to get a flexible connector, it will help with the camera’s large plastic connector holders.
That’s the tough part, you’ll have to use your imagination.
You can try to maintain the 2 or 3 batteries together using tape or strap band. It’s not optimum, it will probably fall apart at the wrong time. On the other hand it costs nothing.
If you want a more secure setup, you’ll have to find a dedicated support. They are available on the web, sometimes with high shipping costs. You can also try DIY. I’ve not tried it myselif but I like the idea!
Eventually, I used a 3D printed holder. Designs exist, by fellows on the web, and they can be ordered or downloaded if you’re the proud owner of a 3D printer. I’ve designed mine myself, and took advantage of another Sculpteo order to save on shipping costs. 6€, more expensive than scotch tape, but more secure.
Tie your wires to the battery holder, place the batteries, snap the connectors in place. Et voilà !
Hello English-speaking readers! I’ll showcase some of my favorite cameras in these articles, whether they are technically, esthetically or even historically worth of mentioning. First of them: the Kodak Beau Brownie. This is a (manual) translation of my original blog post in french.
Most simple doublet lens optics, a large choice of two apertures around f/11 and f/16, a unique shutter speed approaching 1/50th of a second, plus timed exposure capability. These mind-blowing specs are those of the Kodak Beau Brownie series. Let’s be honest, I won’t write about technical revolution today.
On the contrary, the Beau Brownies were as simple as any box camera when they were released in 1930.
They were, however, part of a list of cameras conceived starting around 1927 by the american designer Walter D. Teague. One can have an idea of his work by browsing Teague’s patents list in this field.
Walter Teague had a challenge to take up: turn a big bloated soap box into a luxurious and attractive item. And he did! He drew a most appealing Art Déco front face. Geometry and colors, lined with chrome on an enameled faceplate. The leatherette covers a wood, cardboard and metal made body, and takes a similar tone as the facade.
The series consist in two models, N°2 & N°2A, corresponding to image formats 6x9cm and 6.5x11cm respectively. The two models thus differ by their size, N°2A being a bit taller.
But mainly, this camera wore magnificent colors, the most frequent association being black & burgundy.
Four other wonderful but more rare coats were blue turquoise, pastel pink, aqua or tanned brown.
I am the happy owner of a black & burgundy model in perfect shape, near mint, as well as a blue model showing more signs of wear. Here are some pictures.